Cocktail Recipes

CHROMA is built around a simple idea: colour should not sit on top of a cocktail as decoration. It should explain how the drink tastes. The serve begins with a yellow tropical Margarita base, adds a soft blue coconut and orange foam, then finishes with a tart red roselle spiral. Passion fruit and sweet corn create fruit, body and vegetal sweetness. Blue Curaçao moves the Margarita's orange note into the foam. Roselle adds acidic, floral contrast.

A Bloody Mary looks easy right up until it lands badly in the glass. Too much vodka and it turns bitter and blunt. Too much lemon and it becomes thin and sharp. Too much spice and it starts reading like seasoned tomato sauce instead of a cocktail.

Ube Alles is a modern sparkling highball built with Japanese rice shochu, ube, jasmine and calamansi, finished with a light coconut-vanilla foam. The drink explores how shochu can support earthy, floral and citrus flavours without losing freshness.

A signature cocktail does not need multiple homemade ingredients or theatrical service elements to be memorable. Smoke Signals is a savoury Dirty Martini built around charred celery gin, dry vermouth, fine-filtered olive brine, and a few drops of olive oil. The recipe focuses on flavour, temperature, balance, and texture rather than additional aromas or tableside presentation.

A Gin and Tonic is one of the easiest cocktails to make badly. It looks simple: gin, tonic water, ice, garnish. That is exactly why many people stop paying attention. Too much tonic and the gin disappears. Warm tonic kills the bubbles. Bad ice makes the drink watery. Too many garnishes turn a clean highball into a confused glass of fruit, herbs, and perfume. A professional Gin and Tonic is not about making the drink complicated. It is about controlling the few details that

The Bahia Cocktail lives in the same sunny neighborhood as the Piña Colada, but it usually shows a little more structure and a little more intent. Pineapple and coconut still lead the profile, but the drink often feels less like a dessert and more like a proper rum cocktail.

A good La Vie en Rose cocktail should not taste like perfume in a glass. That is the main trap. Rose, vanilla, cardamom and citrus can turn elegant very quickly, but they can also become heavy, sweet or soapy if the balance is wrong.

The Midas Touch is a stirred, spirit-forward cocktail built for two things: bitter structure and controlled texture. It follows the broad logic of a Boulevardier, but takes the drink in a darker, softer, and more savoury direction. Rye brings structure, Campari adds bitterness, Umeshu rounds the middle, and a Pedro Ximénez and white miso glaze gives extra depth and a silkier finish.

Sol De La Tarde is a modern Paloma-style highball built around contrast. It starts with the familiar shape of tequila, citrus, and sparkling lift, then shifts in a more distinctive direction with yellow bell pepper. That single ingredient changes the center of the drink. Instead of tasting like a standard grapefruit refresher, it becomes brighter, slightly savory, and more memorable, while still staying easy to drink.

The Pisco Sour is a bright, aromatic Sour with a creamy foam cap. When it is right, it feels clean and lively, with a soft texture that carries citrus and grape-spirit aromas. When it is wrong, it turns thin, harsh, or eggy fast. The difference is not mystery. It is ratio, aeration, and dilution control.

The Oaxaca Old Fashioned is an Old Fashioned-style cocktail built on agave spirits. It uses a split base of tequila and mezcal, a small amount of agave sweetness, and bitters. The result is spirit-forward and aromatic, with gentle smoke and a dry finish.

A Rosita is a Negroni-style cocktail built on agave spirits and split vermouth. It keeps the bitter backbone of a Negroni, but trades gin for tequila, and balances the sweetness by using both sweet and dry vermouth. The result is bitter, aromatic, and usually drier on the finish than a classic Negroni. Some menus label it a “mezcal Negroni.” The traditional Rosita is tequila-forward. Mezcal is optional, used either as a split base or as a full substitute. The important part